Like many projects executed over a long period of time, The Romantic Generation is shaped eccentrically. Hatten, Robert S., Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation ( Bloomington: Indiana University Press, 1994) Google Scholar, andĬumming, Naomi, The Sonic Self: Musical Subjectivity and Signification ( Bloomington: Indiana University Press, 2000) Google Scholar. one of the most lavish books on music in recent memory. Music semiotic approaches with special relevance for expression include Márta Grabócz, Morphologie des Oeuvres pour Piano de Liszt (Paris: Éditions Kimé, 1996) Eero Tarasti, A Theory of Musical Semiotics (Bloomington: Indiana University Press, 1994) Robinson, Jenefer, Deeper than Reason: Emotion and Its Role in Literature, Music, and Art ( Oxford: Oxford University Press, 2005) Google Scholar. /rebates/2fThe-Romantic-Generation-Charles-Rosen2fbook2f58061473fqsort3ddr&.
Scruton, Roger, The Aesthetics of Music ( Oxford: Oxford University Press, 1999) Google Scholar and Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape, a changed approach to the. Kivy, Peter, The Corded Shell: Reflections on Musical Expression ( Princeton: Princeton University Press, 1980) Google Scholar ĭavies, Stephen, Musical Meaning and Expression ( Ithaca: Cornell University Press, 1994) Google Scholar
1 A brief sampling of music aestheticians with important ideas about expression would include
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